Category Archives: Media

Miles Davis Has Yet To Be Featured On American Masters

 Miles Davis Has Yet To Be Featured On American Masters I just finished watching a terrific episode of American Masters about the history of the Joffrey Ballet, and it occurred to me that in the time the excellent documentary series debuted on PBS in 1986 they have yet to feature Miles Davis.

Unless they are working on something right now, I would like to personally ask series creator Susan Lacy to think about adding a 2-hour biography of Miles Davis to an upcoming season.

I was actually surprised not to find Miles listed among the almost 200 notable artists and organizations that have been featured over the years. Lord knows there is enough of his professional and personal life to make for a sensational episode. If handled properly by the right team, I think we could end up with a truly definitive (visual) narrative about jazz icon Miles Davis.

It goes without saying that Miles Davis is, indeed, an American Master.

And I highly recommend Joffrey: Mavericks of American Dance. I am a novice at anything ballet related, but this is an interesting and exciting story about the history of Joffrey Ballet, and it founders, Robert Joffrey and Gerald Arpino.

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Miles Davis Part Of New Doc About Funk

1 funk miles davis Miles Davis Part Of New Doc About Funk

If there’s going to be a documentary about the past, present and future of Funk, certainly Miles Davis is going to come up somewhere in the conversation. The jazz great is one of many notable artists highlighted in Finding the Funk, a forthcoming documentary from author/filmmaker Nelson George and music producer Arthur Baker.

A nice breakdown of the project can be viewed on Kickstarter, where Finding the Funk is currently holding a pledge drive for donations to help the documentary team, “pay for the soundtrack, editing and graphics, all critical aspects of post-production.”

Inspired by an idea from legendary record producer Arthur Baker, Finding the Funk is a road trip in search of the past, present and future of Funk music. We start in Dayton the birthplace of so many of Funk’s originators, then onto Detroit where from the ashes of Motown, P-Funk’s Mothership arose and then to LA where a new crop of musicians, like Dam Funk, are creating their own Funk history.

Many ‘funky’ people are interviewed for the doc, including Sly Stone, Bootsy Collins, Mike D of the Beastie Boys, D’Angelo, Marcus Miller, Mtume, Sheila E, and Diplo. The doc is hosted by Ahmir “Questlove” Thompson of the Roots.

The jazz/funk chapter in Miles Davis’ career is discussed in Finding the Funk by Marcus Miller and Mtume – two musicians well-qualified to chat about Miles’ Electric Years, where he pushed ‘jazz’ in yet another new and exciting direction.

Rewards for those who contribute include film credits, a digital funk mix-tape curated by Stone’s Throw label head Peanut Butter Wolf, a special sneak peek screening of Finding the Funk at Converse’s Rubber Tracks in NYC, and an opportunity to get your music track re-mixed by Baker.

Vh1 is hoping to air Finding the Funk next spring.

Get funky and pledge your support here!

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Miles Davis Part of New Blue Note App

mzl.djjhkydz.480x480 75 Miles Davis Part of New Blue Note App

Miles Davis is one of many jazz greats found in the impressive new Blue Note App developed for the iPad from Chicago-based Groovebug.

The new iPad app is free to download and features 30-second music clips; a monthly subscription of $1.99 gets you all of the app’s music tracks played in full.

The initial catalog which includes over one thousand songs.

Other features include amazing photos, in-depth bios, album notes, performance videos and newspaper articles. The Blue Note App also offers playlists curated by jazz experts, plus new audio monthly, and the option to dedicate songs to your friends on Facebook, Twitter and Tumblr.

Download the Blue Note App here

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Miles Davis Archives: The Big Comeback of 1955

depth1 Miles Davis Archives: The Big Comeback of 1955 We haven’t run an Archives post in awhile, but we’re dusting off the intermittent feature for a terrific Nat Hentoff article published in DownBeat from 1955.

So, Miles is now in the most advantageous position of his career. He has the bookings, the record outlet, and he has the group that he’s been eager to assemble.

“I want this group,” says Miles, “to sound the way Sonny plays the way all of the men in it play individually—different from anyone else in jazz today. We’ve got that quality individually; now we have to work on getting the group to sound that way collectively. As we get to work regularly, something will form up and we’ll get a style.”

Bird:

Bird used to play 40 different styles. He was never content to remain the same. I remember how at times he used to turn the rhythm section around when he and I, Max, and Duke Jordan were playing together.

Bird used to make me play, try to play. He used to lead me on the bandstand. I used to quit every night. The tempo was so up, the challenge was so great.


Miles: A Trumpeter In The Midst Of A Big Comeback Makes A Very Frank Appraisal Of Today’s Jazz Scene
by Nat Hentoff — 11/2/1955

Click here to read the full story

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The Miles Davis Stamp: Release Date Announced For New Miles Davis Stamp

miles davis online stamp 300x240 The Miles Davis Stamp: Release Date Announced For New Miles Davis Stamp The Miles Davis and Edith Piaf stamps will be released 6/12 in NYC and Paris.

As mentioned in January, the stamps are being issued this year as part of a joint issue with USPS and French postal service, La Poste.

Check out this terrific column by Greg Breeding about his assignment to design the stamps commemorating both Miles Davis and Edith Piaf.

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Miles Davis Online Celebrates Debut Collection Of Artist Series

Since debuting Miles Davis Online in 2009, I have featured 20 extremely talented people in the Artist Series. It has been an absolute joy discovering these artists, exploring their terrific work, and getting to know them as well. The opportunity to showcase their Miles Davis-inspired artwork and photographs has been a great pleasure of mine. Their work certainly makes this place look a lot better!

I look back at the photographs, designs, and paintings, and I marvel at the talent. It’s inspiring. Of course I only focused on the Miles Davis artwork, but these photographers, designers, and painters each have collections that are well-worth visiting online at their official websites.

I’m excited to begin the next volume of artist interviews, which kicks off next week. I will continue my search for artwork inspired by Miles Davis – abstract, portrait, photographs, pencil sketches, and whatever else is out there being created by talented individuals who are artistic… and just so happen to have a love for Miles Davis.

Thanks to everyone who took the time to be part of the first volume in the Artist Series. Discovering your work has been a special treat.

Miles Davis Online Artist Series: Volume 1-20


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great-day-in-harlem

Where Was Miles Davis On That ‘Great Day in Harlem’?

Art Kane’s legendary photograph A Great Day In Harlem is one of my favorite images; a single snapshot of jazz history.

Often times, when I look over the faces of all those jazz greats who gathered on that August day in 1958, I wonder, “Hey! Where’s Miles Davis?”

I was reminded of my curiosity after reading Ian Patterson’s terrific retrospective of the classic, black and white group portrait of jazz musicians.

Patterson notes the prominent names of jazz legends that were not in attendance on 126th street in uptown Harlem for the photo shoot, resulting in an interesting sub-plot to the actual events of the Art Kane photo shoot.

Along with Davis, big names like Louis Armstrong, Duke Ellington, John Coltrane, Billie Holiday and Ella Fitzgerald (among others) were also not in attendance.

Patterson writes -

“All those absent giants of jazz, and others too numerous mention, are nonetheless felt somehow to be present—represented by musicians who played with them, and who inspired and were inspired by them. Like with any family reunion, its absent members are with us in spirit.”

But Miles Davis, where was he?

I was lucky enough to speak with Patterson and ask about his theory on Miles’ absence.

“I don’t know where Miles was that day,” says Patterson, “but as none of his usual sidemen around that time (Cannonball, Coltrane, Red Garland, Paul Chambers, Philly Joe) were in the picture it is quite likely he was out of town with his group that day.”

He added, “I do tend to think that even had he been in town he wouldn’t have been too bothered to turn up for the photo shoot. I don’t think it was his style at all.”

And let’s not forget the shoot took place at 10am – not exactly prime time for jazz musicians, many of whom had probably just gone to bed a few hours earlier after a long night of playing. Then again, some of the musicians might have just gone straight from the gig to the photo shoot.

It’s an interesting parlor game to think about where Miles, Ellington, Coltrane and the other no-shows would be located in the famous photograph.

Looking at the photo now, I wonder where Miles would have been positioned for the photo; would he be front and center with Stuff Smith and Coleman Hawkins, or perhaps he’d rather be off to the (right) side, mingling with fellow trumpeters Dizzy Gillespie and Roy Eldridge.

Or maybe he walks up, checks the scene and decides to hell with it and goes home.

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Miles Davis Vs. Chuck Berry For Best St. Louis Musician of All Time

stlouis milesdavis Miles Davis Vs. Chuck Berry For Best St. Louis Musician of All Time It’s an epic showdown between two icons of music as Miles Davis and Chuck Berry battle for the title of Best St. Louis Musician of All Time.

Put together by St. Louis Magazine, the fifth and final round is underway. Be sure to vote here; the winner will be announced April 23.

Miles Davis dispatched Clark Terry, Willie Akins, Albert King, and Scott Joplin on his way to the final, while Chuck Berry had to face-off against Ike and Tina Turner, Michael McDonald, Uncle Tupelo, and Willa Mae Ford Smith to reach the championship round.

St. Louis has clearly produced a lot of amazing musicians, but this is the final that had to happen. No offense to Nelly, but there is no way he is getting out of the Elite Eight against Scott Joplin to face Miles. It was nice to see Uncle Tupelo make a run before bowing out to Chuck Berry.

In the end, both Chuck Berry and Miles Davis are worthy of the title.

23playxlarge1 300x160 Miles Davis Vs. Chuck Berry For Best St. Louis Musician of All Time I really like Chuck Berry, but I love Miles Davis, so I’ll give the nod to the jazz legend in the championship final.

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A Good Miles Davis Story….

milesmiles davis A Good Miles Davis Story.... Los Angeles-based restaurateur Brad Johnson and the popular Chef Govind Armstrong recently opened Post & Beam at the Crenshaw Plaza in Baldwin Hills. Post & Beam, named for the mid-century design history of the neighborhood, is already a must-visit for California comfort food.

Over at the Post & Beam’s official website, Johnson carved out a little space for himself called The Corner Table to write about his thoughts and experiences from a longtime restaurateur’s point of view.

Well wouldn’t you know it, but Johnson just posted a terrific story about meeting Miles Davis in the early 80s at The Cellar in New York City, a popular restaurant on the Upper Westside of Manhattan owned by his father, Howard Johnson.

I heard Miles loved the fried chicken at The Cellar but on this night it didn’t appear as though Miles came to eat. I made my way over to him and eagerly introduced myself sticking out my hand “Miles, hey, I’m Brad Johnson, Howard Johnson’s son!” Miles barely looked at me and while removing the cigarette from his lips, allowed me to help him out of his dark colored long coat. Excitedly I removed Miles coat from his slender frame and hustled off to put it safely in the office.

Read the whole story here. I highly recommend!

Then, if you are in the Los Angeles area, or plan to be soon – by all means stop by Post & Beam to eat. I think I left L.A. too soon, because the Boneless Beef Short Ribs are calling my name!

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Miles Davis & The ’80s: A Reevaluation

star people Miles Davis & The 80s: A Reevaluation I highly recommend Phil Freeman’s new article, “Miles Davis In The ’80s”, over at the arts and culture journal Burning Ambulance.

The text is actually part of a paper Freeman delivered at the 2012 EMP Pop Conference in New York last week, under the title “From the Corner to Carnegie Hall and Beyond: The Urbanization of Miles Davis 1972-1991.”

Here is a snippet:

When Miles reappeared in 1981, having stayed out of sight for the majority of the disco era and fusion’s darkest days, he must have been keeping an eye on the street from his window, because his music had changed to suit the times.

The sprawling, jamming funk-metal band he’d fronted from ’73 to ’75 was gone, replaced by a swaggering five-man squad of players half his age. The only returning member was Al Foster, and the music was taut, melodic funk that sounded like it could have been hip-hop backing tracks.

Definitely check out Phil Freeman’s article, “Miles Davis In The ’80s”, by clicking HERE.

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Here’s Hoping New Season Of Mad Men Features A Miles Davis Song (Or Two) (UPDATED)

mandm Heres Hoping New Season Of Mad Men Features A Miles Davis Song (Or Two)  (UPDATED)

The award-winning Mad Men returns for its fifth season, which begins Sunday night after a 17-month-long hiatus.

In its long-awaited fifth season, “Mad Men” picks up the story in 1966 and is likely to move forward into ’67, a time of major change in the U.S.

As we excitedly prepare for the return of Mad Men, we wonder: will the music of Miles Davis be making an appearance at some point during the new season?

Season one (set in 1960) featured two Miles Davis tracks: In Episode 5 (5G) we hear “Blue in Green,” and Episode 8 (The Hobo Code) is highlighted by “Concierto De Aranjuez (Adagio).”

I believe Episode 8 (Souvenir) from season 3 also featured a Miles Davis tune. It’s 1963 and that means there are plenty of Davis albums Pete Campbell could be listening to, notably Kind of Blue, Miles Ahead and Sketches of Spain.

The show could use a Miles tune from any previous year if they like, which would be great, but in ’66-’67 Miles released Miles Smiles and Sorcerer. Bitches Brew is still a few more years away.

I have already plead my case for show creator Matthew Weiner to actually write Miles Davis into the show for an episode.

The scene: Miles Davis strolls into a bar with a few friends one evening – only to encounter Don Draper. They end up talking about life and love, and then Miles imparts some heavy advice, which helps Don in whatever personal disarray he’s likely to be in.

That’s TV gold, people!

We’re totally jazzed about the new season of Mad Men, and here’s hoping we’ll hear some classic, Miles Davis tunes as Don Draper, Roger Sterling, Pete Campbell, Peggy Olson, and the rest of the gang continue their very stylish adventures in advertising.

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Miles Davis At Peacock Alley & 1953 Interview

miles 4 Miles Davis At Peacock Alley & 1953 Interview This is from an old post, but a post I love because of the photos and the awesome, and quite rare, 1953 audio interview with Miles Davis in St. Louis.

Miles stopped by radio station KXLW to visit with DJ Harry Frost and his Fresh Air program.

Click HERE to listen to the interview at Lockwood and Summit!

They also have an incredible photo archive, which includes Miles Davis. Here is a link to photos taken by Bernie Thrasher from the infamous Peacock Alley gigs. One is a close up of Miles (above), and the others, found HERE, are a) Philly Joe Jones, b) Miles and Paul Chambers and c) Coltrane with Chambers, Miles and Red Garland in the background.

Miles In St. Louis – 1953 Interview Part One

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Miles Davis, Music Discovery and ColorHits

sketches of spain similar Miles Davis, Music Discovery and ColorHits
In my daily, inspired pursuit of music discovery – both new and old -, I am most grateful for the many online platforms built to help me discover and share music. New to my arsenal of music discovery tools is ColorHits, a rather unique way to discover and connect to music.

Shifting his web and graphic design talents to the music discovery space, ColorHits founder Matt Barrett has built a powerful discovery tool that provides the user a color search of album art for more than 2 million albums – with new titles added every week. Still in Beta, ColorHits is designed so users can preview tracks, download from iTunes and share on Facebook and Twitter.

I recently spoke with Barrett about his music discovery endeavor. He was also happy to use Miles Davis as an example of how ColorHits was designed to help explore new music by connecting color similarities in album art.

I mentioned that ColorHits is still in Beta, but early access is currently available. Definitely drop by ColorHits to sign up and request your invite to take a closer look at the music discovery tool.

Click HERE to sign-up!

Miles Davis Online: What is the story behind how – and why – you developed ColorHits?
Matt Barrett: ColorHits was actually not my first attempt at creating a new way to discover music. It started when the Beatles were first introduced on iTunes and all the fan-fare that came with it. It had its own press conference, it took over the apple website… it all seemed a bit much to me. I was first thinking of a way to mock such an extravagant music launch, creating oddly-named, fake bands that would be a ‘daily deal’ approach to new bands. Humor was the main purpose but another use was to connect people to real bands in iTunes based off the fake band name. It sounds ridiculous describing it now and, at the time, I realized it would require a lot of creative power on my part.

During this exploration period, I came across one piece of album art that ultimately lead me to continue with ColorHits as it exists today. The album was Kanye West’s 808s and Heartbreak. I noticed the color bar on the left side and thought, what if those colors were a summary of the colors in the album art. Of course for this example, that isn’t the case, but I thought to myself, ‘what other albums use those same colors?’ Rewind 2 years and I was actually working on code for a separate project that did just that. I mashed both of them together and ColorHits was born.

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